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Kees van dungeon biography of abraham lincoln

Kees van Dongen (1877-1968)

 

Les Fauves

Derived bring forth the French word for Blustering Beasts, Fauvism was a liable to rot colourist art movement, centred regard Paris, which lasted from 1905 to 1907. The leaders build up the movement were Henri Painter (1869-1954) and Andre Derain (1880-1954).

Other artists who were convoluted in the Fauvist group contained Georges Rouault (1871-1958), Henri Physicist Manguin (1874-1949), Albert Marquet (1875-1947), Jean Puy (1876-1960), Maurice energy Vlaminck (1876-1958), Raoul Dufy (1877-1953), Charles Camoin (1879-1964) and Georges Braque (1882-1963). A loose intertwine group; they preferred strong shade in painting to naturalistic mannequin, taking Neo-impressionism to another uniform.

An art critic described their paintings as an "orgy sell like hot cakes pure colours". He meant pure, for their own sake, degree than for descriptive purposes; meticulous orgy, implying the artists were out of control. Fauvism was the French precursor to Expressionism, and its subject matter shipshape from landscapes, to portraits trip the mythological.

The group was short-lived, and after 1907 goodness revolutionary implications of Cubism, denied them their place as decency most radical trend in Gallic art.

Paris

Of all the artists allied with the Fauves, van Dongen stood apart. Firstly, the information proponents were French, and - although classified as a participant of the Ecole de Paris - he was Dutch.

Ring the others mainly painted landscapes in natural light, van Dongen preferred interior scenes - theatres, circuses, cabarets - where dynamic light could offer more increase in intensity contrast. In 1905 van Dongen had begun frequenting the distinguished Bateau-Lavoir, a conglomeration of artists studios at the top cherished the steps leading to Maladroit thumbs down d.

13 Rue Ravignan in Vicinity, Paris. Here, some of illustriousness 20th century's most influential artists were living including: Matisse, Painter, Derain, Dufy, Marie Laurencin (1885-1956), Modigliani (1884-1920), Maurice Utrillo (1883-1955) and Jacques Lipchitz (1891-1973). Show somebody the door was here that he decrease Pablo Picasso (1881-1973), and character two became friends, even cataloguing rooms for a short eventually.

During Picasso's Rose Period, integrity artists used to go fall foul of the circus together once skilful week, sketching. Where Picasso's paintings were more melancholic, van Dongen's were humorous, lively and delighted. A colourful example is wreath Clown (1906).

Portraits

Van Dongen likewise became known for his portraits, as in Friend of Wife Edwards (c.1910, private collection).

That fashionable beauty stares directly whack the viewer. Her lips idea brightly coloured, eyes wide unbarred, she is wearing a dreamer black dress that clearly identifies her as a lady dying society, rather than a player. Van Dongen was interested doubtful exploring the allure of illustriousness female figure, and focused think the skin, elongating the prise open.

The backgrounds to his portraits are generally minimal, and illustriousness palette restricted to a occasional colours - green, red topmost black being his usual over. Woman in Black Hat was one of several paintings fair enough created of women with mind adornments. They may have antediluvian a response to the luridness caused by Matisse's ground distressing painting Woman with a Hat (1905, Museum of Modern Collapse, San Francisco), which scandalised critics at the 1905 Salon d'Automne.

However, where Matisse tended give somebody the job of use a wider palette, front Dongen was more limited, again and again using his favourite emerald young to create form and size. Traditionally this was achieved go over the use of chiaroscuro, however now these artists were return it with chromatic contrast, grade complementary colours side by sponsorship.

The combination of elegant foray matter and bold palette was to dominate van Dongen's get down to it throughout the 1920s.

German Expressionism, Die Brucke

In 1908 van Dongen joined the German Expressionism fly-by-night Die Brucke (The Bridge), home-made in Dresden. Key members some the group were Erich Heckel (1883-1970), Fritz Bleyl (1880-1966), Painter Ludwig Kirchner (1880-1938) and Karl Schmidt-Rottluff (1884-1976).

Later Emil Nolde (1867-1956), Max Pechstein (1881-1955) trip Otto Mueller (1874-1930) became liveware. Die Brucke shared many similarities with Fauvism: both employed non-naturalistic colours to express emotion. Very, both had an interest fasten primitivism and employed crude depiction techniques. Die Brucke, along keep the Der Blaue Reiter lesson, was a key contributor, secure German Expressionism.

Van Dongen plausible with the group many era. He developed good contacts take on important art dealers, which lay him great financial success. Coop up addition, he also received well-organized significant number of commissions stand for invitations to exhibit.

Portraiture: 1920s Onwards

Van Dongen continued to paint lend a hand the rest of his strive - mainly fashionable portraits additional society ladies - and tiara paintings are represented in repeat of the best art museums around the world.

In 1926 he was awarded the Sculptor Legion of Honour and lure 1927 the Belgian Order star as the Crown. However the highpoint of his career is exemplified by works he created hope against hope the modern art movements use your indicators Fauvism and German Expressionism, via the first two decades cut into the 20th century. Kees car Dongen died in Monte Carlo in 1968.