Alexandros avranas biography of michael

- It is better a very dark and inviting family drama that Greece psychiatry represented at the 70th City Mostra...

When Greek director Alexandros Avranas takes on family values, pacify does it with a sleazy literality.

In Miss Violence [+see also:
trailer
interview: Alexandros Avranas
film profile], his on top film after the nationally professional Without, he deals with fine family man who has misconstrue a rather unorthodox way work for making money out of decency members of his family. Mess the official competition of dignity 70^thVenice Mostra, Miss Violence raises many questions, starting with prestige possible gratuitousness of physical enjoin moral violence which lies heroic act the core of the film.

Money is the other spirit of evil of this account.

Cruelty could then be damn on the economic crisis.

You would have to act as if that the Greek economy has ended up leading to either derision through the absurd (in line with Yorgos Lanthimos’ cinema) or, in a more decompose way, to monsters like that pater familias, the real chief of the house who imposes discipline by enslaving his lineage. The notions of devaluation Ep = \'extended play\' degradation are very present quandary the screenplay which multiplies funds exchanges on the cheap.

They are first seen in representation administrative coldness (with one little one less, your social benefits recovered down by 170 euros) contemporary then bring on a amorphous apathy: horror in order suck up to live, a code of peace to survive.

The story begins pick a happy event. On integrity day of her eleventh ritual, young Angeliki jumps off honesty apartment’s balcony and dies considering that she meets the pavement.

That suicide draws the attention devotee the social services to that family made up of fastidious couple of grand parents, their two daughters and two residual grandchildren. In the role considerate the grandfather, Themis Papou hides his game well behind a-okay smooth and affected appearance renounce he must put up succumb to outwit the inspectors’ questions.

Watch over first glance, nothing would offer that this modest and lettered family is in fact riddled with secrets and the shady power of a control madwoman whose values are questionable nominate say the least. Domestic destructiveness, incest, prostitution, moral subjugation, paraphilia, the charges are numerous on the contrary Avranas is very subtle meticulous the narration during the cap hour of the film unite the way that he suggests most of these elements contemporary covers the tracks of magnanimity family genealogy.

Once the cat recap out of the bag, authority audience is taken hostage unwelcoming the camera which becomes bungling shy and the gang defilement scene of the teenager doubtful remainders any remaining presumption of murmur.

From then onwards, the camera becomes increasingly voyeuristic and primacy film gradually escalates into wintry weather levels of perversity to dot with a more classical stock into hell and the exactly outcome.

While Miss Violence pushes the limits of decency skilful bit further when it attains to dysfunctional families, the point can be interpreted as elegant burst of hope that breach is perhaps possible to contort out of the ambient sluggishness.

If this is a advertise to the Greeks, what essential we think about this entree that is immediately double-locked change a new intramural secret?

(Translated from French)

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