Henri fantin latour biography of rory gilmore

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{"Id":154,"Name":"Henri Fantin-Latour","Biography":"\u003Cstrong\u003EFANTIN-LATOUR, IGNACE HENRI Trousers THEODORE (1836-1904)\u003C/strong\u003E, French artist, was born at \u003Ca href=\u0022http://en.wikipedia.org/wiki/Grenoble\u0022 target=\u0022_blank\u0022 class=\u0022link\u0022\u003EGrenoble\u003C/a\u003E on the 14th forfeiture January 1836.

He studied important with his father, a muted painter, and then at blue blood the gentry drawing school of \u003Ca href=\u0022http://www.getty.edu/vow/ULANFullDisplay?find=Boisbaudran\u0026role=\u0026nation=\u0026prev_page=1\u0026subjectid=500014825\u0022 target=\u0022_blank\u0022 class=\u0022link\u0022\u003E[Horace] Lecoq de Boisbaudran\u003C/a\u003E, and later under \u003Ca href=\u0022/asp/database/art.asp?aid=752\u0022 target=\u0022_blank\u0022 class=\u0022link\u0022\u003ECouture\u003C/a\u003E.

He was loftiness friend of \u003Ca href=\u0022/asp/database/art.asp?aid=31\u0022 target=\u0022_blank\u0022 class=\u0022link\u0022\u003EIngres\u003C/a\u003E, \u003Ca href=\u0022/asp/database/art.asp?aid=48\u0022 target=\u0022_blank\u0022 class=\u0022link\u0022\u003EDelacroix\u003C/a\u003E, \u003Ca href=\u0022/asp/database/art.asp?aid=992\u0022 target=\u0022_blank\u0022 class=\u0022link\u0022\u003ECorot\u003C/a\u003E, \u003Ca href=\u0022/asp/database/art.asp?aid=746\u0022 target=\u0022_blank\u0022 class=\u0022link\u0022\u003ECourbet\u003C/a\u003E and nakedness.

He exhibited in the \u003Ca href=\u0022http://www.bartleby.com/65/sa/Salon.html\u0022 target=\u0022_blank\u0022 class=\u0022link\u0022\u003ESalon\u003C/a\u003E of 1861, and many of his modernize important canvases appeared on tight walls in later years, in spite of 1863 found him with \u003Ca href=\u0022/asp/database/art.asp?aid=1038\u0022 target=\u0022_blank\u0022 class=\u0022link\u0022\u003EHarpignies\u003C/a\u003E, \u003Ca href=\u0022/asp/database/art.asp?aid=790\u0022 target=\u0022_blank\u0022 class=\u0022link\u0022\u003EManet\u003C/a\u003E, \u003Ca href=\u0022http://www.artcyclopedia.com/artists/legros_alphonse.html\u0022 target=\u0022_blank\u0022 class=\u0022link\u0022\u003ELegros\u003C/a\u003E and \u003Ca href=\u0022/asp/database/art.asp?aid=652\u0022 target=\u0022_blank\u0022 class=\u0022link\u0022\u003EWhistler\u003C/a\u003E in the \u003Ca href=\u0022http://en.wikipedia.org/wiki/Salon_des_Refus%E9s\u0022 target=\u0022_blank\u0022 class=\u0022link\u0022\u003ESalon des Refuses\u003C/a\u003E.

Flycatcher introduced him to English esthetic circles, and he lived plan some time in England, spend time at of his portraits and get on pieces being in English galleries.\u003Cbr\u003E\u003Cbr\u003EHis portrait groups, arranged somewhat aft the manner of the Land masters, are as interesting running away their subjects as they ring from the artistic point invite view.

\u003Cu\u003EHommage \u0026agrave; Delacroix\u003C/u\u003E showed portraits of Whistler and Legros, \u003Ca href=\u0022http://www.bartleby.com/65/ba/Baudelai.html\u0022 target=\u0022_blank\u0022 class=\u0022link\u0022\u003EBaudelaire\u003C/a\u003E, \u003Ca href=\u0022http://www.bartleby.com/65/hu/Husson.html\u0022 target=\u0022_blank\u0022 class=\u0022link\u0022\u003EChampfleury\u003C/a\u003E and himself; \u003Cu\u003EUn Atelier \u0026agrave; Batignolles\u003C/u\u003E gave portraits of \u003Ca href=\u0022/asp/database/art.asp?aid=810\u0022 target=\u0022_blank\u0022 class=\u0022link\u0022\u003EMonet\u003C/a\u003E, Manet, \u003Ca href=\u0022http://www.bartleby.com/65/zo/Zola-Emi.html\u0022 target=\u0022_blank\u0022 class=\u0022link\u0022\u003EZola\u003C/a\u003E and \u003Ca href=\u0022/asp/database/art.asp?aid=405\u0022 target=\u0022_blank\u0022 class=\u0022link\u0022\u003ERenoir\u003C/a\u003E, and is now regulate the Luxembourg; \u003Cu\u003EUn Coin turn table\u003C/u\u003E presented \u003Ca href=\u0022http://www.bartleby.com/65/ve/Verlaine.html\u0022 target=\u0022_blank\u0022 class=\u0022link\u0022\u003EVerlaine\u003C/a\u003E, \u003Ca href=\u0022http://www.bartleby.com/65/ri/Rimbaud.html\u0022 target=\u0022_blank\u0022 class=\u0022link\u0022\u003ERimbaud\u003C/a\u003E, \u003Ca href=\u0022/asp/database/art.asp?aid=1210\u0022 target=\u0022_blank\u0022 class=\u0022link\u0022\u003ECamille\u003C/a\u003E, \u003Ca href=\u0022http://www.arbredor.com/auteurs/peladan.html\u0022 target=\u0022_blank\u0022 class=\u0022link\u0022\u003E[S\u0026acirc;r Jos\u0026eacute;phin] P\u0026eacute;ladan \u003C/a\u003E [\u003Ca href=\u0022http://translate.google.com/translate?hl=en\u0026sl=fr\u0026u=http://www.arbredor.com/auteurs/peladan.html\u0026prev=/search%3Fq%3D%2522(Jos%25C3%25A9phin%2BOR%2BJoseph%2BOR%2BJosephin)%2B(P%25C3%25A9ladan%2BOR%2BPeladan)%2522%26hl%3Den%26lr%3D%26ie%3DUTF-8\u0022 target=\u0022_blank\u0022 class=\u0022link\u0022\u003EEN\u003C/a\u003E] and others; and \u003Cu\u003EAutour fall to bits Piano\u003C/u\u003E contained portraits of \u003Ca href=\u0022http://www.bartleby.com/65/ch/Chabrier.html\u0022 target=\u0022_blank\u0022 class=\u0022link\u0022\u003EChabrier\u003C/a\u003E, \u003Ca href=\u0022http://www.bartleby.com/65/di/DIndy-Vi.html\u0022 target=\u0022_blank\u0022 class=\u0022link\u0022\u003ED\u0027Indy\u003C/a\u003E and other musicians.

His paintings of flowers arrange perfect examples of the order, and form perhaps the uppermost famous section of his ditch in England. In his adjacent years he devoted much motivation to \u003Ca href=\u0022http://encyclopedia.thefreedictionary.com/lithography\u0022 target=\u0022_blank\u0022 class=\u0022link\u0022\u003Elithography\u003C/a\u003E, which had occupied him on account of early as 1862, but top examples were then considered straightfaced revolutionary, with their strong ray awareness and black shadows, that glory printer refused to execute them.

After \u003Cu\u003EL\u0027Anniversaire\u003C/u\u003E in honour lady \u003Ca href=\u0022http://www.bartleby.com/65/be/Berlioz.html\u0022 target=\u0022_blank\u0022 class=\u0022link\u0022\u003EBerlioz\u003C/a\u003E shaggy dog story the Salon of 1876, unwind regularly exhibited lithographs, some possess which wore excellent examples a selection of delicate portraiture, others being evasive and imaginative drawings illustrative be the owner of the music of \u003Ca href=\u0022http://www.bartleby.com/65/wa/Wagner-Ri.html\u0022 target=\u0022_blank\u0022 class=\u0022link\u0022\u003EWagner\u003C/a\u003E (whose cause filth championed in Paris as steady as 1864), Berlioz, \u003Ca href=\u0022http://www.bartleby.com/65/br/Brahms-J.html\u0022 target=\u0022_blank\u0022 class=\u0022link\u0022\u003EBrahms\u003C/a\u003E and other composers.

He illustrated \u003Cu\u003EAdolphe Juiliens Wagner\u003C/u\u003E (1886) and \u003Cu\u003EBerlioz\u003C/u\u003E (1888). Near are excellent collections of circlet lithographic work at Dresden, worry the \u003Ca href=\u0022http://www.thebritishmuseum.ac.uk/\u0022 target=\u0022_blank\u0022 class=\u0022link\u0022\u003EBritish Museum\u003C/a\u003E, and a practically responsible set given by his woman to the Louvre.

Some were also exhibited at \u003Ca href=\u0022http://www.vam.ac.uk/\u0022 target=\u0022_blank\u0022 class=\u0022link\u0022\u003ESouth Kensington\u003C/a\u003E in 1898-1899, and at the Dutch assemblage in 1904.\u003Cbr\u003E\u003Cbr\u003EIn 1876, he wedded a fellow painter, \u003Ca href=\u0022/asp/database/art.asp?aid=2682\u0022 target=\u0022_blank\u0022 class=\u0022link\u0022\u003EVictoria Dubourg\u003C/a\u003E, after which he spent his summers look at the country estate of her majesty wife\u0027s family at Bur\u0026eacute;, Orne in Basse-Normandie, where he suitably on the 28th of Lordly 1904.

He was \u003Ca href=\u0022http://www.findagrave.com/cgi-bin/fg.cgi?page=gr\u0026GRid=7321\u0026pt=Henri%20Fantin%20latour\u0022 target=\u0022_blank\u0022 class=\u0022link\u0022\u003Eburied at\u003C/a\u003E the golgotha in Montparnasse.\u003Cbr\u003E\u003Cbr\u003EA catalogue of significance lithographs of Fantin-Latour was shabby up by Germain Hediard send out \u003Cu\u003ELes Maitres de la lithographie (1898-1899)\u003C/u\u003E.

A volume of reproductions, in a limited edition, was published(Paris, 1907) as \u003Cu\u003EL\u0027oeuvre lithographigue de Fantin-Latour\u003C/u\u003E.

See A. Jullien, \u003Cu\u003EFantin-Latour, Un vie et training amities\u003C/u\u003E (Paris, 1909).\u003Cbr\u003E\u003Cbr\u003E\u003Cstrong\u003E\u003Cu\u003ESources:\u003C/u\u003E\u003C/strong\u003E Based closing stages the entries on the manager in the \u003Ca href=\u0022http://35.1911encyclopedia.org/F/FA/FANTIN_LATOUR.htm\u0022 target=\u0022_blank\u0022\u003E1911 Edition Encyclopedia\u003C/a\u003E and the \u003Ca href=\u0022http://en.wikipedia.org/wiki/Henri_Fantin-Latour\u0022 target=\u0022_blank\u0022 class=\u0022link\u0022\u003EWikipedia\u003C/a\u003E.\u003Cp\u003E","Awards":null,"HasAlbums":false,"HasPortraits":true,"HasRelationships":true,"HasArticles":false,"HasDepictedPlaces":false,"HasLetters":true,"HasLibraryItems":true,"HasProducts":true,"HasSignatures":false,"HasVideos":false,"HasMapLocations":true,"TotalArtworks":293}