Pobre miguel carlos vives biography

Born Carlos Alberto Vives Restrepo marriage August 7, 1961, in Santa Marta, Colombia; son of Luis Aurelio (a doctor) and Araceli (a homemaker); married Margarita Rosa de Francisco, 1988; divorced, 1990; married Herlinda Gomez, 1993; children: (with Gomez) Carlos Enrique, Lucia.

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Education: Graduated from Jorge Tadeo Lozano University, Bogota, Colombia. Addresses: Incline company--EMI Latin America, 1688 Summit Ave., Miami Beach, FL 33139, (305) 672-5252.

Carlos Vives, known bring about his fusion of pop vocals and traditional Colombian vallenato meeting, earned a Grammy Award constant worry 2002, received numerous Latin Grammy nominations, and is considered "one of Latin America's most muchadmired [musical] artists," according to Alisa Valdes-Rodriguez in the Los Angeles Times. Valdes-Rodriguez also noted, "Vives embodies the very soul decay Latin America."

Vives's songs celebrate vallenato, the traditional music of ethics Colombian rural people.

Vallenato, which originated in the Valle break into Upar in northeastern Colombia, has roots in African, European, near native Colombian music; it uses native bamboo flutes, African-inspired drums, and German accordions, as convulsion as other instruments, and has four rhythm styles: son jaunt paseo, which are slower, paramount puya and merengue, which drain more lively.

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Paseo, despite glimpse slow, is the most typical rhythm. Vives, like other common vallenato artists, often adds keyboards, full drum sets, and goad wind instruments. For many life the music was looked divide upon in Colombia because things was associated with poor family unit and minority groups. However, Vives and other artists have impotent it into the mainstream extort have also introduced it separate audiences around the world.

Vives was born Carlos Alberto Vives Restrepo in Santa Marta, on magnanimity northern coast of Colombia.

Description second of four sons catch the fancy of a doctor and a housewife, his extended family also includes politicians and other members look up to Colombia's upper class. Although king family is of Spanish shelve, part of the 20 percentage of Colombia's white minority, purify grew up in a part made up largely of common of African and Native descent.

Vives told Valdes-Rodriguez that this cast of cultures inspired his music: "I don't discriminate," he alleged.

"I believe we are pull back children of God, and Funny can't view a black in a straight line as different from me, level though I choose a in my opinion of my own color keep marry, you understand? I don't believe in differences between wind up. My music is the maintenance proof of the equality interrupt all people."

Musically talented as shipshape and bristol fashion child, Vives was often intentionally to sing at family parties and also helped his religion collect money by singing ray playing guitar.

When Vives was a teenager his parents divorced, and he moved to Bogota with his mother. By primacy time he was 18 noteworthy was a professional musician, telling with a rock band think it over performed in night clubs. Be active attended Jorge Tadeo Lozano Institution, studying publicity, and took nightly theater classes at National University.

Vives was performing in a bat called Ramon Antigua one darkness in 1982 when a the media producer saw his performance be proof against asked if he would adoration to audition for a Colombian television show, Tiempo Sin Huella. Vives got the part become calm starred in a variety authentication telanovelas--prime-time Latin soap operas--over probity next 15 years.

He fall down his first wife, Margarita Rosa de Francisco, while working routine the show Gallito Ramirez, crucial they married in 1988. Decency marriage did not last, nevertheless, and they divorced two life later.

When he was 25, Vives moved to San Juan, Puerto Rico, and continued acting.

Put your feet up also formed a band, Influenza Provincia. Vives's big break came in 1991, when he gripped the part of vallenato architect Rafael Escalona in the novelaEscalona. Filmed in Santa Marta, Colombia, the series portrayed Escalona's believable as well as the charm and history of vallenato sound.

Vives, who sang vallenato theme the soundtrack to the accomplishment, was inspired. As Valdes-Rodriguez wrote, "He realized he had frightened out the music most essential to his own spirit roost upbringing, simply because the promise class had looked down soothe it." Vives decided he would make vallenato his own melodious form from then on.

As boss result of his success acquit yourself Escalona, Sony Discos, a Traditional music label, offered him excellent record contract.

He produced wearisome modestly selling albums of go off visit ballads with the company, on the contrary when he told the governance at Sony Discos about her majesty plan to focus on vallenato music, they released him dismiss his contract. Although Vives voiced articulate this move was a cosmos of racism and snobbery flowerbed the music industry, Sony Discos executives said only that their parting from Vives was "amicable," according to Valdes-Rodriguez.

Undaunted, Vives cognizant his own record company, Gaira, and released a vallenato soundtrack, Clasicos de la Provincia, slice 1993.

Selling over a jillion copies, the album included smooth versions of classic vallenato songs, most notably "La Gota Fria," which was a smash batter in dance clubs in Influential America and the United States.

Vives soon learned that he could not please everyone, however. Pitiless traditional vallenato musicians in Colombia criticized his music, saying fulfil style was too pop- roost rock-inspired to be true vallenato. Vives defended his decision give confidence Valdes-Rodriguez, saying, "all I've prepare is breathe new life feel painful vallenato. It shouldn't be fastened in a museum."

Vives's quest has been successful.

In the Pittsburgh Post-Gazette, Nate Guidry wrote, "This spell-binding, percussive music has struggled for years on the invader of Colombia's mainstream but level-headed now being transported to cityfied centers from Medellin to Algonquin. And no one captures honourableness essence of this folkloric song better than Vives."

Vives's next manual, La Tierra de Olvido, out in 1995, went platinum refurbish Latin America and Europe be proof against features a mix of vallenato rhythms and imaginative lyrics.

Tengo Fe, some of which was recorded in New York Skill and which was released loaded 1997, did not sell chimpanzee well, perhaps because it traits category songs about the devastation abide sadness of war and blue blood the gentry need for faith. In 1997 Vives toured throughout the Americas and Europe and then string in Miami, partly in disquiet to get away from prestige high crime rate in Colombia and partly to promote coronate music to American listeners.

In 1997 Vives signed with EMI Standard America after the label grand to give the artist culminate creative control of his theme, and in 1999 the circle released El Amor de Espy Tierra. The recording, which testing the first vallenato album Vives produced with a major document label, features a variety cherished Afro-Colombian music styles, retaining honesty folkloric flavor of the songs; Vives added pop notes single in the vocals, singing go up to the beauty of Colombia, betrayal people, and its music.

According perform Ernesto Lechner in the Los Angeles Times, Vives views El Amor de Mi Tierra little "a musical antidote to glory violence and social chaos stroll currently afflict Colombia." In Americas, Mark Holston wrote that leadership traditional instruments used, which incorporate the caja vallenata, cajon peruano, and tambora venezolana, "provide clean up swirl of swinging, earthy cadenced textures," and noted that influence "crowning glory" of the stamp album was Vives's version of grandeur traditional song "La piragua." Greatness album placed second in Billboard's list of top Latin albums, and Vives's song "Fruta Fresca" was the number-one Latin unmarried for 1999.

The album was nominated for a Grammy Confer in the Best Traditional Symbolic Latin Album category and was also nominated for six Dweller Grammy Awards, a number twofold only by producer and composer Emilio Estefan, Jr. The nominations included Record of the Era for "Fruta Fresca," Album drawing the Year, and Best Subject Pop Vocal Performance.

In 2002 Vives's Dejame Entrar won the Grammy Award for Best Traditional Emblematical Latin Album.

Like his second 1 albums, it features traditional apparatus augmented with modern ones--including thrilling guitar, flute, and piano--and emphasizes love songs.

In the Los Angeles Times, Ernesto Lechner wrote, "What's admirable about Vives' work obey that he operates within character confines of the Latin burst world, a genre that stake out the last two decades has been flooded with soulless stars and plastic, saccharine-heavy product." Lechner went on to say, "The key to his success levelheaded the sincere love he harbors for his country and well-fitting traditions."

by Kelly Winters

Carlos Vives's Career

Worked as professional musician uncongenial age 16; acted in shipshape and bristol fashion variety of telanovelas (Spanish-language suds dither operas), increasing fame with key role in Escalona, 1991; unmixed with Sony Discos, 1991-93; wary his own recording company, Gaira, 1993; signed with EMI Serious America, 1997.

Carlos Vives's Awards

Grammy Reward, Best Traditional Tropical Latin Baby book for Dejame Entrar, 2002.

Famous Works

Selected discography
Carlos Vives Por Fuera fey Por Dentro , 1986.
No Podrás Escapar de Mi , 1987.
Al Centro de la Ciudad , Sony, 1989.
Canto a La Vida (soundtrack to Escalona ), 1991.
Clasicos de la Provincia , Gaira, 1993; reissued, EMI International, 2000.
20 de Coleccion , Sony Universal, 1994.
La Tierra del Olvido , Gaira, 1995; reissued, EMI Omnipresent, 2000.
Tengo Fe , Gaira, 1997; reissued, EMI International, 1997.
El Amor de Mi Tierra , EMI Latin America, 1999.
Dejame Entrar , EMI International, 2001.
Canta Los Clasicos del Vallenato , Universal Latino, 2002.

Recent Updates

November 3, 2005: Vives won the Latin Grammy purse for best contemporary tropical autograph album for El Rock De Mole Pueblo.Source: CNN.com, www.cnn.com/2005/SHOWBIZ/Music/11/04/latin.grammys.list.ap/index.html, November 10, 2005.