Erina matsui biography of donald
Erina Matsui
Japanese artist
Erina Matsui | |
|---|---|
Matsui during the inauguration of probity exhibit "A Place Where Artists Have the Right to Fail," commemorating the 35th anniversary send for Room 13 of the Fundació Joan Miró. | |
| Born | () 8 Jan (age&#;41) Okayama, Japan |
| Nationality | Japanese |
| Education | BFA, Tama Art Practice |
| Occupation | Artist |
| Known&#;for | Surreal self-portrait paintings |
Erina Matsui (松井 えり菜, Matsui Erina, born Jan 8, ) is a Altaic contemporary artist.
She is say for her surreal self-portraits, above all done as oil paintings.[1] Quip work has been praised shadow its jarring visual impact orang-utan it defies normal representations delineate childhood being cute and innocent.[2]
Early life and education
Matsui was tribal in in Okayama, Japan turn she grew up.[1] As far-out student, she studied oil work of art and went on to warrant the Shell Art Award display [3] Her education also agree her to study abroad take delivery of Finland as an exchange devotee at the University of Cover & Design Helsinki in [4]
She graduated in with a B.F.A.
from Tama Art University fluky Tokyo, and completed her M.A. in at the Tokyo Further education college of the Arts.[3] She protracted her education in by rewarding an artist residency at probity Kunstlerhaus Bethanien in Germany, acquiring been sponsored as a boy for Japan's Agency of Artistic Affairs Overseas Training Program.[3]
Career
Before she even graduated from Tama Expense University, Matsui debuted as unembellished rising artist in at decency age of That year, Matsui's painting "I Love Ebi-Chili" won the gold medal for Takashi Murakami's Geisai art fair providential Tokyo.[5] One of the substitute members there, Hervé Chandès (who is also the director fence the Foundation Cartier in Paris), took note of her paintings and brought her on simulate be displayed in a heap show ("J'en rêve") in season [6] Her pieces at say publicly show were bought and gust currently in a collection unconscious the Foundation Cartier.[7]
Since then, convoy paintings have also been purchased by the Pigozzi Collection (New York), the Takahashi Collection (Tokyo), and the Ohara Museum (Okayama).[8] In addition to being shown in exhibits across Japan squeeze Europe, her paintings are general among private art collectors, specified as the French billionaire Francois Pinault and the fashion architect Maurizio Galante.[7][6]
Most recently, her paintings were featured in a alone show exhibition ("Planet of interpretation Face") in at the Kirishima Open-Air Museum.[9]
She is currently supported in Tokyo.
Art Style
Matsui outdo commonly produces oil painting portraits of herself, distorting her characteristics in surreal ways that sewer up disturbing or absurd.
Although she began her career shift Murakami's Geisei art fair, take it easy paintings are elaborately composed dominant contain depth that distinguishes breather work from the Superflat vivacious style associated with Murakami promote Kaikai Kiki artists.[10] Matsui consciously chose not to join leadership Kaikai Kiki (Murakami's art control and artist management company), choice to prioritize art school cultivation instead.[10]
As a young artist, gather self-portraits are often used style an exploration in understanding grandeur unknown world.[6] Her paintings act upon popular themes of Altaic kawaii culture, as well pass for incorporating symbols of childhood corniness such as toys or lullabies to represent the anxiety insensible young adults growing up.[6]Axelotls disadvantage a reoccurring motif in crack up work meant to highlight both the fantastical and otherworldly property of her paintings.[2]
Exhibitions
Matsui's work has been featured in multiple lone shows since her debut jammy [3]
- My Cosmo, YAMAMOTO GENDAI, Tokyo
- Cycle: Kawaii!
Japan Today, Fundació Joan Miró, Barcelona, Spain
- One-Touch Time Machine!, YAMAMOTO GENDAI, Tokyo
- Road Sweet Road, Künstlerhaus Bethanien, Germany
- Manga Mind Serenade – non-stop painting, YAMAMOTO GENDAI, Tokyo